Mirror of Alchemy by Roger Bacon

Mirror of Alchemy by Roger Bacon, Wisdom Ancient

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The Mirror of Alchemy
The Mirror of Alchemy, composed by the famous Friar, Roger Bacon, sometime fellow of Martin
College and Brasen-nase College in Oxenforde.
CHAPTER I.
Of the Definitions of Alchemy.
In many ancient Books there are found many definitions of this Art, the intentions whereof we must
consider in this Chapter. For Hermes said of this Science: Alchemy is a Corporal Science simply
composed of one and by one, naturally conjoining things more precious, by knowledge and effect, and
converting them by a natural commixtion into a better kind. A certain other said: Alchemy is a Science,
teaching how to transform any kind of metal into another: and that by a proper medicine, as it appeared
by many Philosophers' Books. Alchemy therefore is a science teaching how to make and compound a
certain medicine, which is called Elixir, the which when it is cast upon metals or imperfect bodies, does
fully perfect them in the very projection.
CHAPTER II.
Of the natural principles, and procreation of Minerals.
Secondly, I will perfectly declare the natural principles and procreations of Minerals: where first it is to
be noted, that the natural principles in the mines, are Argent-vive, and Sulphur. All metals and minerals,
whereof there be sundry and diverse kinds, are begotten of these two: but: I must tell you, that nature
always intends and strives to the perfection of Gold: but many accidents coming between, change the
metals, as it is evidently to be seen in diverse of the Philosophers books. For according to the purity and
impurity of the two aforesaid principles, Argent-vive, and Sulphur, pure, and impure metals are
engendered: to wit, Gold, Silver, Steel, Lead, Copper, and Iron: of whose nature, that is to say, purity,
and impurity, or unclean superfluity and defect, give ear to that which follows.
Of the nature of Gold.
Gold is a perfect body, engendered of Argent-vive pure, fixed, clear, red, and of Sulphur clean, fixed,
red, not burning, and it wants nothing.
Of the nature of silver.
Silver is a body, clean, pure, and almost perfect, begotten of Argent-vive, pure, almost fixed, clear, and
white, and of such a like Sulphur: It wants nothing, save a little fixation, color, and weight.
The Mirror of Alchemy
Of the nature of Steel.
Steel is a body clean, imperfect, engendered of Argent-vive pure, fixed & not fixed clear, white
outwardly, but red inwardly, and of the like Sulphur. It wants only decoction or digestion,
Of the nature of Lead.
Lead is an unclean and imperfect body, engendered of Argent-vive impure, not fixed, earthy, dressy,
somewhat white outwardly, and red inwardly, and of such a Sulphur in part burning, It wants purity,
fixation, color, and firing.
Of the nature of Copper.
Copper is an unclean and imperfect body, engendered of Argent-vive, impure, not fixed, earthy, burning,
red not clear, and of the like Sulphur. It wants purity, fixation, and weight: and has too much of an
impure color, and earthiness not burning.
Of the nature Iron.
Iron is an unclean and imperfect body, engendered of Argent-vive impure, too much fixed, earthy,
burning, white and red not clear, and of the like Sulphur: It wants fusion, purity, and weight: It has too
much fixed unclean Sulphur, and burning earthiness. That which has been spoken, every Alchemist must
diligently observe.
CHAPTER III.
Out of what things the matter of Elixir must be more nearly extracted.
The generation of metals, as well perfect, as imperfect, is sufficiently declared by that which has been
already spoken, Now let us return to the imperfect matter that must be chosen and made perfect. Seeing
that by the former Chapters we have been taught, that all metals are engendered of Argent-vive and
Sulphur, and how that their impurity and uncleanness does corrupt, and that nothing may be mingled
with metals which have not been made or sprung from them, it: remains clean enough, that no strange
thing which has not his original from these two, is able to perfect them, or to make a Change and new
transmutation of them: so that it is to be wondered at, that any wise man should set his mind upon living
creatures, or vegetables which are far off, when there be minerals to be found near enough: neither may
we in any way think, that any of the Philosophers placed the Art in the said remote things, except it were
by way of comparison: but of the aforesaid two, all metals are made, neither does any thing cleave unto
them or is joined with them, not yet changes them, but that which is of them, and so of right we must
take Argent-vive and Sulphur for the matter of our stone: Neither does Argent-vive by itself alone, nor
Sulphur by itself alone, beget any metal, but of the commixtion of them both, diverse metals and
minerals are diversely brought forth. Our matter therefore must be chosen of the commixtion of them
both: but our final secret is most excellent, and most hidden, to wit, of what mineral thing that is more
near than others, it should be made: and in making choice hereof, we must be very wary. I put the case
then, if our matter were first of all drawn out of vegetables, (of which sort are herbs, trees, and
whatsoever springs out of the earth) here we must first make Argent-vive & Sulphur, by a long
decoction, from which things, and their operation we are excused: for nature herself offers unto us
Argent-vive and Sulphur. And if we should draw it from living creatures (of which sort is man's blood,
The Mirror of Alchemy
hair, urine, excrements, hens' eggs, and what else proceed from living creatures) we must likewise out of
them extract Argent-vive and Sulphur by decoction, from which we are freed, as we were before. Or if
we should choose it out of middle minerals (of which sort are all kinds of Magnesia, Marchasites, of
Tutia, Coppers, Allums, Baurach, Salts, and many other) we should likewise, as afore, extract Argent-
vive and Sulphur by decoction: from which as from the former, we are also excused. And if we should
take one of the seven spirits by itself, as Argent-vive, or Sulphur alone, or Argent-vive and one of the
two Sulphurs, or Sulphur-vive, or Auripigment, or Citrine Arsenicum, or red alone, or the like: we should
never effect it, because since nature does never perfect anything without equal commixtion of both,
neither can we: from these therefore, as from the foresaid Argent-vive and Sulphur in their nature we are
excused. Finally, if we should choose them, we should mix everything as it is, according to a due
proportion, which no man knows, and afterward decoct it to coagulation, into a solid lump: and therefore
we are excused from receiving both of them in their proper nature: to wit, Argent-vive and Sulphur,
seeing we know not their proportion, and that we may meet with bodies, wherein we shall find the said
things proportioned, coagulated and gathered together, after a due manner. Keep this secret more
secretly. Gold is a perfect masculine body, without any superfluity or diminution: and if it: should perfect
imperfect bodies mingled with it by melting only, it should be Elixir to red. Silver is also a body almost
perfect, and feminine, which if it should almost perfect imperfect bodies by his common melting only, it
should be Elixir to white which it is not, nor cannot be, because they only are perfect. And if this
perfection might be mixed with the imperfect, the imperfect should not be perfected with the perfect, but
rather their perfection’s should be diminished by the imperfect, and become imperfect. But if they were
more than perfect, either in a two-fold, four-fold, hundred-fold, or larger proportion, they might then well
perfect the imperfect. And forasmuch as nature does always work simply, the perfection which is in them
is simple, inseparable, and incommiscible, neither may they by art be put in the stone, for ferment to
shorten the work, and so brought to their former state, because the most volatile does overcome the most
fixed. And for that gold is a perfect body, consisting of Argent-vive, red and clear, and of such a Sulphur,
therefore we choose it not for the matter of our stone to the red Elixir, because it is so simply perfect,
without artificial mundification, and so strongly digested and fed with a natural heat, that with our
artificial fire, we are scarcely able to work on gold or silver, And though nature does perfect anything,
yet she cannot thoroughly mundify, or perfect and purify it, because she simply works on that which she
has. If therefore we should choose gold or silver for the matter of the stone, we should hard and scantly
find fire working in them. And although we are not ignorant of the fire, yet could we not come to the
thorough mundification and perfection of it, by reason of his most firm knitting together, and natural
composition: we are therefore excused for taking the first too red, or the second too white, seeing we may
find out a thing or some body of as clean, or rather more clean Sulphur and Argent-vive, on which nature
has wrought little or nothing at all, which with our artificial fire, and experience of our art, we are able to
bring unto his due concoction, mundification, color and fixation, continuing our ingenious labor upon it.
There must therefore be such a matter chosen, where in there is Argent-vive, clean, pure, clear, white and
red, not fully complete, but equally and proportionably commixt after a due manner with the like
Sulphur, and congealed into a solid mass, that by our wisdom and discretion, and by our artificial fire, we
may attain unto the uttermost cleanness of it, and the purity of the same, and bring it to that pass, that
after the work ended, it might be a thousand thousand times more strong and perfect, then the simple
bodies themselves, decoct by their natural heat. Be therefore wise: for if you shall be subtle and witty in
my Chapters (wherein by manifest prose I have laid open the matter of the stone easy to be known) you
The Mirror of Alchemy
shall taste of that delightful thing, wherein the whole intention of the Philosophers is placed.
CHAPTER IIII.
Of the manner of working, and of moderating, and continuing the fire.
I hope ere this time you have already found out by the words already spoken (if you are not most dull,
ignorant, and foolish) the certain matter of the learned Philosophers blessed stone, whereon Alchemy
works, while we endeavor to perfect the imperfect, and that with things more then perfect. And for that
nature has delivered us the imperfect only with the perfect, it is our part to make the matter (in the former
Chapters declared unto us) more then perfect by our artificial labor. And if we know not the manner of
working, what is the cause that we do not see how nature (which of long time has perfected metals) does
continually work! Do we not see, that in the Mines through the continual heat that is in the mountains
thereof, the grossness of water is so decocted and thickened, that in continuance of time it becomes
Argent-vive? And that of the fatness of the earth through the same heat and decoction, Sulphur is
engendered! And that through the same heat without intermission continued in them, all metals are
engendered of them according to their purity and impurity? and that nature does by decoction alone
perfect or make all metals, as well perfect as imperfect? 0 extreme madness! what, I pray you, constrains
you to seek to perfect the foresaid things by strange melancholical and fantastical regiments! as one says:
Woe to you that will overcome nature, and make metals more then perfect by a new regiment, or work
sprung from your own senseless brains. God has given to nature a straight way, to wit, continual
concoction, and you like fools despise it, or else know it not. Again, fire and Azot, are sufficient for you.
And in another place, Heat perfects all things. And elsewhere, see, see, see, and be not weary. And in
another place, let your fire be gentle, and easy, which being always equal, may continue burning: and let
it not increase, for if it does, you shall suffer great loss. And in another place, Know you that in one
thing, to wit, the stone, by one way, to wit, decoction, and in one vessel the whole mastery is performed.
And in another place, patiently, and continually, and in another place, grind it seven times. And in
another place, It is ground with fire, And in another place, this work is very like to the creation of man:
for as the Infant in the beginning is nourished with light meats, but the bones being strengthened with
stronger: so this mastery also, first it must have an easy fire, whereby we must always work in every
essence of decoction. And though we always speak of a gentle fire, yet in truth, we think that in
governing the work, the fire must always by little and little be increased and augmented unto the end.
CHAPTER V.
Of the quality of the Vessel and Furnace.
The means and manner of working, we have already determined: now we are to speak of the Vessel and
Furnace, in what sort, and of what things they must be made. Whereas nature by a natural fire decocts the
metals in the Mines, she denies the like decoction to be made without a vessel fit for it. And if we
propose to imitate nature in concocting, wherefore do we reject her vessel! Let us first of all therefore,
see in what place the generation of metals is made. It does evidently appear in the places of Minerals,
that in the bottom of the mountain there is heat continually alike, the nature whereof is always to ascend,
and in the ascension it always dries up, and coagulates the thicker or grosser water hidden in the belly, or
The Mirror of Alchemy
veins of the earth, or mountain, into Argent-vive. And if the mineral fatness of the same place arising out
of the earth, be gathered warm together in the veins of the earth, it runs through the mountain, and
becomes Sulphur. And as a man may see in the foresaid veins of that place, that Sulphur engendered of
the fatness of the earth (as is before touched) meets with the Argent-vive (as it is also written) in the
veins of the earth, and begets the thickness of the mineral water. There, through the continual equal heat
in the mountain, in long process of time diverse metals are engendered, according to the diversity of the
place. And in these Mineral places, you shall find a continual heat. For this cause we are of right to note,
that the external mineral mountain is everywhere shut up within itself, and stony: for if the heat might
issue out, there should never be engendered any metal. If therefore we intend to immitate nature, we must
needs have such a furnace like unto the Mountains, not in greatness, but in continual heat, so that the fire
put in, when it ascends, may find no vent: but that the heat may beat upon the vessel being close shut,
containing in it the matter of the stone: which vessel must be round, with a small neck, made of glass or
some earth, representing the nature or close knitting together of glass: the mouth whereof must be signed
or sealed with a covering of the same matter, or with lute. And as in the mines, the heat does not
immediately touch the matter of Sulphur and Argent-vive, because the earth of the mountain comes
everywhere between: So this fire must not immediately touch the vessel, containing the matter of the
aforesaid things in it, but it must be put into another vessel, shut closed in the like manner, that so the
temperate heat may touch the matter above and beneath, and where ever it be, more aptly and fitly:
whereupon Aristotle says, in the light of lights, that Mercury is to be concocted in a three-fold vessel, and
that the vessel must be of most hard Glass, or (which is better) of Earth possessing the nature of Glass.
CHAPTER VI.
Of the accidental and essential colours appearing in the work.
The matter of the stone thus ended, you shall know the certain manner of working, by what manner and
regiment, the stone is often changed in decoction into diverse colors. Whereupon one says, So many
colors, so many names. According to the diverse colors appearing in the work, the names likewise were
varied by the Philosophers: whereon, in the first operation of our stone, it is called putrifaction, and our
stone is made black: whereof one says, When you find it black, know that in that blackness whiteness is
hidden, and you must extract the same from his most subtle blackness. But after putrifaction it waxes red,
not with a true redness, of which one says: It is often red, and often of a citrine color, it often melts, and
is often coagulated, before true whiteness. And it dissolves itself, it coagulates itself, it putrifies itself, it
colors itself, it mortifies itself, it quickens itself it makes itself black, it makes itself white, it makes itself
red. It is also green: whereon another says, Concoct it, till it appears green unto you, and that is the soul.
And another, Know, that in that: green his soul bears dominion. There appears also before whiteness the
peacocks color, whereon one says thus, Know you that all the colors in the world, or that may be
imagined, appear before whiteness, and afterward true whiteness follows. Whereof one says: When it has
been decocted pure and clean, that it shines like the eyes of fishes, then are we to expect his utility, and
by that time the stone is congealed round, And another says: When you shall find whiteness atop in the
glass, be assured that in that whiteness, redness is hidden: and this you must extract: but concoct it while
it becomes all red: for between true whiteness and true redness, there is a certain ash-color: of which it is
said, After whiteness, you cannot err, for increasing the fire, you shall come to an ash-color: of which
another says: Do not set light by the ashes, for God shall give it to you molten: and then at the last the
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